Untitled Art with Danziger Gallery
George R. Brown Convention Center, Houston
1–4 October 2026
Booth B20
In dialogue with the exhibition, Delacroix, Horses and Other Animals, and as part of PhotoSaintGermain, the Musée Delacroix will present a selection of Karen Knorr’s photographs featuring animals depicted by the painter: wild cats, horses, and peacocks. Blending observed animals with places rich in memory, the works of Eugène Delacroix and Karen Knorr create beautiful imaginary encounters.
Karen will be present on 9 November from 6.30pm – 8:30pm to lead a guided visit, free for anyone with a ticket for the museum that day, followed by a book signing.
Karen Knorr is delighted to be exhibiting a selection of works from her series Scavi (2023–2026) at the upcoming Pan Amsterdam art fair with Crossover Gallery.
Pan Amsterdam returns to the RAI in this November for its 39th edition. Crossover Gallery (The Hague/Taipei) will be exhibiting Karen Knorr’s photographs alongside works by Maarten & Billie Slagboom, Jan C. Schlegel, Lode Laperre, and Bas Meeuws.
Karen Knorr Inhabits the Castle is currently on view at Château d’Azay-le-Rideau in France, curated by Claude d’Anthenaise and supported by Les Filles du Calvaire. Karen Knorr will be present at the official opening celebrations taking place early October (rescheduled from the summer due to extreme heat). Spanning over forty years of photographs, the retrospective is presented as part of the celebrations marking the Bicentenary of Photography, organised by the Ministry of Culture, in partnership with the Centre des monuments nationaux.
Since the late 1970’s, Karen Knorr has been exploring the relationship between the home and its inhabitants, her images questioning the way in which places shape identities and behaviours.
Rasa, Sundaram Tagore Gallery’s newest group exhibition in their London space is now open! Karen Knorr is delighted to be participating, with several works from the series India Song on view.
The Sanskrit word rasa, meaning “flavour,” “essence,” or “taste,” is at the heart of an ancient Indian theory of aesthetics that explores the emotional experience of art. First articulated more than two thousand years ago, the concept describes rasa not simply as the emotion expressed by an artist or depicted in a work, but as the feeling that arises through the viewer’s encounter with it—the dynamic exchange between artist, artwork, and audience.
Eight works from Punks (1977) by Karen Knorr and Olivier Richon are currently on view in Unruly – The Body in Punk at ARoS in Denmark. Featuring around 130 works, the exhibition traces punk’s origins in 1970’s London and shows how the movement spread and changed. Punks used the body as a form of resistance against discipline and societal norms imposed by a world they saw as already collapsing. In punk, bodily expression was political. Unruly is the result of a post-doctoral research project in collaboration between ARoS and Aarhus University and is curated by external curator and post-doc researcher Marie Arleth Skov.
Karen Knorr Inhabits the Castle is on view now at Château d’Azay-le-Rideau in France, curated by Claude d’Anthenaise and supported by Les Filles du Calvaire. Spanning over forty years of photographs, the retrospective is presented as part of the celebrations marking the Bicentenary of Photography, organised by the Ministry of Culture, in partnership with the Centre des monuments nationaux.
Since the late 1970’s, Karen Knorr has been exploring the relationship between the home and its inhabitants. From the hushed interiors of London’s middle classes, where the decor becomes a silent portrait of those who inhabit it, to museums and cultural institutions, her images question the way in which places shape identities and behaviours.
Karen Knorr is delighted to be joining A Day in Your Life Photography Awards as a guest judge, supporting the next generation of photographic talent.
Founded by BAFTA and multi-award-winning artist Alison Jackson, A Day in Your Life is a community-focused photography initiative that celebrates the creativity of young people aged 4–24 from disadvantaged, under-represented and minority backgrounds.
Karen will review the shortlisted entries across the competition and select the strongest photographs in each category ahead of the Awards Ceremony on Monday 13 July at Cadogan Hall, where the winning images will be announced.
Works from Karen Knorr and Anna Fox’s collaborative series U.S. Route 1 (After Berenice Abbott) will be on view in Sundaram Tagore Gallery‘s upcoming exhibition in their New York space, On the Road. Inspired by Jack Kerouac’s seminal 1957 novel, this group photography exhibition conveys stories of everyday life through the unique physical and metaphorical lens of each artist.
The exhibition will feature Edward Burtynsky’s historic work Breezewood, Pennsylvania (2008), which was showcased in his 2025 solo show The Great Acceleration at the International Center of Photography in New York. Alongside are images by Karen Knorr in collaboration with artist Anna Fox from their series and book U.S. Route 1 (After Berenice Abbott), which features 150 photographs taken in small towns from Key West, Florida, to Fort Kent, Maine, between 2016 and 2025.
Karen Knorr is delighted to be included in Sundaram Tagore Gallery‘s inaugural exhibition in their new London gallery at 27 Pall Mall. The 3,337-square-foot gallery is situated on the ground floor of an Edwardian-style landmark building designed in 1902. It encompasses two floors of exhibition space, a private viewing room, and space for events including film screenings, panel discussions, and live performance—an important facet of the gallery’s programming.
Hybridity and Belonging in Contemporary Art brings together artists from and inspired by Asia whose work explores hybridity, displacement, nostalgia, and the refusal to be confined by a singular identity. Crossing cultural and national boundaries, the artists in this exhibition synthesize Eastern and Western visual languages, forms, techniques, and philosophies.