Fair Warning Art Auction

Fair Warning Art Auction in Aid of Future Dreams Breast Cancer Charity

2–13 March 2025

 

Karen Knorr has donated a print of The Grand Monkey Room (3), Château de Chantilly, 2006 (from the series Fables) to Future Dreams’ Fair Warning Art Auction. The auction is raising funds to help deal with the urgent need for care for those diagnosed with breast cancer. Figures are rising and this amazing charity funds support, research and awareness of early symptoms that can save lives.

Future Dreams was founded in 2008 by mother and daughter, Sylvie Henry and Danielle Leslie. By a cruel twist of fate, they were both diagnosed with breast cancer, Danielle aged just 35 and a mother of three young children. Tragically both women lost their lives to secondary breast cancer within a year of each other in 2009. Their legacy lives on in Future Dreams and the thousands of women the charity supports every year. The charity offers a wide range of in-person and online services, providing practical, emotional and psychological support for those diagnosed with breast cancer, funding vital secondary breast cancer research, and promoting breast health awareness.

Group Exhibition Opening at Holden Luntz Gallery, 22 February–15 March 2025

3 Photographic Journeys That Expand Reality: Kimiko Yoshida, Albert Watson, and Karen Knorr

 

Holden Luntz Gallery
Palm Beach, Florida
22 February–15 April 2025

 

Panel Discussion
22 February, 10 am (EST)

 

Karen Knorr will be exhibiting in Holden Luntz Gallery’s newest group exhibition, 3 Photographic Journeys That Expand Reality: Kimiko Yoshida, Albert Watson, and Karen Knorr. She will be at the gallery in Palm Beach this weekend for an artist talk and panel discussion with Holden Luntz, Kimiko Yoshida, and Albert Watson. Starting at 10 am (EST), 22 February. The talk will be recorded, live-streamed on Instagram, and later posted on the Holden Luntz Gallery website.

Zona Maco with Sundaram Tagore Gallery and Celebrating 10 years of Matèria

Zona Maco
with Sundaram Tagore Gallery
Centro Citibanamex, Mexico City
5–9 February 2025
Booth E105

 

10 on Paper
Celebrating 10 years of Matèria
Matèria, Rome
13 February–17 April 2025

 

Karen Knorr’s work is currently on view at Zona Maco in Mexico City with Sundaram Tagore Gallery until 9 February 2025. Coming up later in February is 10 on Paper which celebrates 10 years of Matèria. The Principles of Political Economy from Capital (1990-91) will be on view and Karen will be present in Rome for the opening on 13 February.

 

New Publication: Fables and Other Stories

Fables and Other Stories
Published by Filigranes Éditions
with the support of the Centre d’art contemporain de la Matmut

 

Karen Knorr’s new publication, Fables and Other Stories, offers a unique immersion into the artist’s world with around forty photographs and ten short stories for children written by Knorr herself. This publication accompanies the Matmut Pour Les Arts exhibition, opening 8 February at Centre d’art contemporain de la Matmut, 425 Rue du Château, 76480 Saint-Pierre-de-Varengeville, France. The exhibition and book bring together recent works from Knorr’s newest series, Scavi, and emblematic photographs from FablesIndia Song and Monogatari.

In Fables and Other Stories, Knorr uses subtle collages of animals, objects and architectural settings to question the authority of museums and heritage.

Sundaram Tagore Gallery at Art Palm Beach +Contemporary

Art Palm Beach +Contemporary
Palm Beach County Convention Center
650 Okeechobee Blvd.
West Palm Beach, Florida, 33401
Booth 605

 

Opening Night Premiere
Wednesday, January 22, 5 – 9 pm

General Admission
Thursday, January 23 – Sunday, January 26, 11 am – 6pm

Sundaram Tagore Gallery will be presenting work by a global group of artists including, Karen Knorr, at Art Palm Beack +Contemporary from 22 – 26 January, 2025.

Fables and Other Stories at Matmut Pour Les Arts

Matmut Pour Les Arts

Fables and Other Stories
7 February 2025 – 1 June 2025

 

The exhibition Fables and Other Stories, unveils a selection of Karen Knorr’s most recent photographs. Her latest series are like testimonies of History or reflections of cultural traditions. The artist weaves scenes where architecture and animals meet in powerful and poetic compositions. Behind her new creations, the artist invites us to reflect on the world, to decipher hidden messages and to apprehend reality from multiple facets.

The India Song series captures the vibrant soul of India, between ancestral rites and modern heritages. In Fables, the artist plays with the codes of propriety of prestigious French places. Scavi takes us to the remains of Pompeii, exploring archaeology as a metaphor for time that erases and reveals. FinallyMonogatari immerses us in a dreamlike universe of Japanese tales.

Each image is a journey, a visual tale where art and culture come to life through photographs that question, amaze and fascinate.

Season’s Greetings from Karen Knorr Studio

Thank you to friends, gallerists, collectors for making 2024 a very special year!

 

It has been a busy year for Karen Knorr Studio, with lots of highlights. Spring saw the release of two brand new monographs, Connoisseurs & Academies published by Kehrer and Country Life, published by Stanley/Barker. These two monographs showcased important early works from the 1980s to the early 2000s and were launched at Photo London this year.

In September, Karen Knorr’s major solo exhibition, Intersections opened at Sundaram Tagore Gallery. On view for the first time in New York were select works from Knorr’s brand-new series Scavi (2023–2024). The exhibition also featured recent additions to India Song (2008–2023) and Fables (2003–2022) alongside historical analog photographs from Knorr’s groundbreaking work from the 1980s and ’90s.

This year’s Paris Photo was also very exciting, with Knorr exhibiting works from Connoisseurs (1986–1990) and Country Life (1983–1985) at the fair with Les Filles du Calvaire and Augusta Edwards Fine Art.

UNTITLED Art Fair with Danziger Gallery

UNTITLED Art Fair 
Danziger Gallery, Booth B35
Miami Beach, Florida
4–8 December 2024

 

Danziger Gallery is pleased to be participating in the 21st edition of the UNTITLED Art Fair in Miami Beach. The fair runs from Wednesday 4 December to Sunday 8 December, the same week as Art Basel Miami.

This year the gallery is bringing the work of 22 different artists and will be exhibiting Karen Knorr’s The Return of the Hunter, Chandra Mahal, Jaipur Palace, Jaipur, 2012 from the series India Song (2008–2023). For the first time they will also be showing work by Gordon Cheung, Shepard Fairey, Llyn Foulkes, Annie Kevans, Giuseppe Lo Schiavo, Abelardo Morell, Lee-Ann Olwage, and Alec Soth.

Karen Knorr’s India Song celebrates the rich visual culture, the foundation myths and stories of northern India, focusing on Rajasthan and using sacred and secular sites to consider caste, femininity and its relationship to the animal world. Interiors are painstakingly photographed with a large format Sinar P3 analogue camera and scanned to very high resolution.

Opening Today | The 80s: Photographing Britain at Tate Britain

Tate Britain
The 80s: Photographing Britain
21 November 2024–5 May 2025

 

A selection of works from Karen Knorr’s Gentlemen (1981–1983) are included in Tate Britain’s newest exhibition, The 80s: Photographing Britain, which opens today! This exhibition traces the work of a diverse community of photographers, collectives and publications – creating radical responses to the turbulent Thatcher years. Set against the backdrop of race uprisings, the miner strikes, section 28, the AIDS pandemic and gentrification – be inspired by stories of protest and change.

At the time, photography was used as a tool for social change, political activism, and artistic and photographic experiments. See powerful images that gave voice and visibility to underrepresented groups in society. This includes work depicting the Black arts movement, queer experience, South Asian diaspora and the representation of women in photography.

The photographic works Gentlemen (1981–1983), photographed in English gentlemen’s clubs in Saint James’ in central London, consider the patriarchal values of the English upper middle classes