30 Years and More | Les Filles du Calvaire

30 Years and More
Les Filles du Calvaire
21 Rue Chapon, 75003 Paris
23 May – 20 June 2026

 

From 23 May – 20 June, Les Filles du Calvaire celebrates more than thirty years of commitment to contemporary creation. Yet this exhibition does not look back on a completed journey; rather, it affirms a living continuity. 30 Years and More is not a retrospective. It is a statement of intent, that of a gallery whose purpose is to support artists and promote contemporary artistic practices. Karen Knorr’s collaboration with the gallery dates back to 1999, first showing with the gallery branch in Brussels.

Through one work by each artist, the exhibition brings together those who today embody the history and identity of the gallery. 30 Years and More reflects a long-standing dialogue between the gallery and the artists, emerging and established, whom it accompanies. This sustained relationship, nourished by experimentation and risk-taking, reflects the gallery’s enduring commitment to contemporary art in all its forms, and particularly to the French scene, which it helps bring to wider visibility both nationally and internationally.

Group Exhibition at Sundaram Tagore Gallery Singapore

Earth to Sky 
Sundaram Tagore Gallery, Singapore
Open now – 13 June 2026

 

Sundaram Tagore Gallery Singapore is pleased to present paintings, sculptures, and photographs by a global group of artists who draw inspiration from the natural world. Two works from Karen Knorr’s series India Song are included in the exhibition. From tactile paintings that capture the varied hues of a setting sun to meditative abstractions that evoke swirling colonies of microorganisms, Earth to Sky is a celebration of nature’s beauty and diversity in all its forms.

Alongside the paintings and sculptures, the exhibition presents photographs by Karen Knorr, the London-based American artist and activist known for her imagery of exotic animals digitally fused into opulent architectural settings. In her seminal series India Song, set among the sacred and secular spaces of Rajasthan, Knorr explores the conflict between culture and nature. She highlights the fragility of buildings damaged by forces of nature and mass tourism, and the animals themselves, threatened by climate change and extinction.

Upcoming Exhibitions | Karen Knorr Inhabits the Castle & No Future

Karen Knorr Inhabits the Castle
Château d’Azay-le-Rideau

No Future by Karen Knorr and Olivier Richon
Château d’Oiron

13 June – 1 November 2026
(Press Opening: 26 June 2026)

In celebration of the bicentenary of photography, Karen Knorr Inhabits the Castle, opens 13 June – 1 November 2026 (press opening 26 June) at Château d’Azay-le-Rideau. Featuring around fifty photographs, the retrospective is curated by Claude d’Anthenaise and supported by Les Filles du Calvaire. Also on view at the same time will be No Future, an exhibition of Karen Knorr and Olivier Richon’s series Punks (1977) at Château d’Oiron.

By moving into the Château d’Azay-le-Rideau, Karen Knorr continues her investigation into the habitat/inhabitant relationship. At Azay, most visitors are drawn by the architectural richness, but they also seek a bygone way of life.

Closing 10 May | FotoFest Biennial 2026

Global Visions – FotoFest at 40
7 March – 10 May 2026

 

Sawyer Yards Galleries
2000 Edwards Street, Houston, TX 77007

 

Two works from the series Gentlemen (1981 – 1983) are on view as part of FotoFest 2026 in Houston. They were previously shown in the 1992 edition of the biennial. Curated by FotoFest co-founder and former artistic director Wendy Watriss, executive director Steven Evans, and co-curators Annick Dekiouk and Madi Murphy, Global Visions – FotoFest at 40 dives deeply into the international and local archives of FotoFest’s 40 year legacy. It reconstitutes the organisation’s widely praised exhibitions, publications, and citywide photo and mixed-media presentations that have defined the organisation’s pioneering history.

Click here for further details.

Reminder: Collaborations | Studio Event: 16 May 2026

Collaborations
Saturday 16 May 2026, 6:30 – 9:30 pm

 
Open studio event with Karen Knorr, Anna Fox, Dafna Talmor, Bettina von Zwehl and Gareth McConnell

Karen Knorr is delighted to welcome you to her East London studio for a collaborative event with Anna Fox, as well as with neighbouring SPACE Studio artists, Bettina von ZwehlDafna Talmor and Gareth McConnell. Works by each of the artists will be on view as well as a selection of books to browse. We hope you can join us for this event celebrating collaboration and friendship!

Please RSVP to annaluk@hotmail.co.uk

Karen Knorr and Anna Fox will be exhibiting a selection of prints from U.S. Route 1 (After Berenice Abbott), their co-authored project which revisits Berenice Abbott’s 1954 seminal road trip.Starting in Key West in 2016, they set out to start a record of contemporary life along U.S. Route 1. during the age of Trump. Also on view at the event will be

Upcoming Solo Exhibitions at Château d’Azay-le-Rideau and Château d’Oiron

Upcoming Solo Exhibitions
Château d’Azay-le-Rideau and Château d’Oiron

Curated by Claude d’Anthenaise, supported by Les Filles du Calvaire

15 June – 1 November 2026 (PV: 26 June 2026)

 

In celebration of the bicentenary of photography, Karen Knorr’s upcoming retrospective at Château d’Azay-le-Rideau, curated by Claude d’Anthenaise and supported by Les Filles du Calvaire, opens 15 June – 1 November 2026 (PV 26 June 2026). Also on view at the same time will be an exhibition of Karen Knorr and Olivier Richon’s series Punks (1977) at Château d’Oiron.

The exhibition at Château d’Azay-le-Rideau will feature over forty photographs spanning from the 1970’s to the present day. Built during the reign of Francis I by Gilles Berthelot, the king’s financier, the château of Azay-le-Rideau presents a subtle alliance of French traditions and innovative decorations from Italy. It has become an icon of the new art of building in the Loire Valley in the 16th century, and is today considered one of the jewels of early French Renaissance architecture.

Collaborations | Studio Event: 16 May 2026

Collaborations
Saturday 16 May 2026, 6:30 – 9:30 pm

 
Open studio event with Karen Knorr, Anna Fox, Dafna Talmor, Bettina von Zwehl and Gareth McConnell

Karen Knorr is delighted to welcome you to her East London studio for a collaborative event with Anna Fox, as well as with neighbouring SPACE Studio artists, Bettina von ZwehlDafna Talmor and Gareth McConnell. Works by each of the artists will be on view as well as a selection of books to browse. We hope you can join us for this event celebrating collaboration and friendship!

Please RSVP to annaluk@hotmail.co.uk

Karen Knorr and Anna Fox will be exhibiting a selection of prints from U.S. Route 1 (After Berenice Abbott), their co-authored project which revisits Berenice Abbott’s 1954 seminal road trip.Starting in Key West in 2016, they set out to start a record of contemporary life along U.S. Route 1. during the age of Trump. Also on view at the event will be

Sundaram Tagore Gallery Winter Group Show and Danziger Gallery Online Exhibition

Closing this weekend:
Winter Group Show
Sundaram Tagore Gallery New York
15 January – 28 February 2026

Now Live:
Online Exhibition: Scavi
Danziger Gallery
26 February – 17 April 2026
 
Sundaram Tagore Gallery’s Winter Group Show in New York closes this Saturday 28 February. The exhibition features works from Karen Knorr’s India Song and Fables series, alongside paintings and sculptures by the gallery’s global group of artists. The range of work offers a glimpse into their diverse programming. Also on view are works by Miya Ando, Chun Kwang Young, Trishla Jain, Matthew Kirk, Steve McCurry, Judith Murray, Robert Natkin, Kenny Nguyen, Robert Polidori, Sohan Qadri, Hiroshi Senju, Steve Tobin and Zheng Lu.

Danziger Gallery has just launched their online exhibition which showcases Karen Knorr’s newest ongoing series, ScaviClick here to view the presentation of works.

Upcoming Retrospective at Château d’Azay-le-Rideau

Upcoming Solo Exhibition at Château d’Azay-le-Rideau, France

Curated by Claude d’Anthenaise, supported by Les Filles du Calvaire

15 June – 1 November 2026

(PV: 26 June 2026)

 

Karen Knorr Studio is delighted to announce Karen Knorr’s upcoming retrospective at Château d’Azay-le-Rideau, curated by Claude d’Anthenaise and supported by Les Filles du Calvaire. Karen is currently busy preparing for the solo exhibition, which will feature over forty photographs spanning from the 1970’s to the present day.

Built during the reign of Francis I by Gilles Berthelot, the king’s financier, the château of Azay-le-Rideau presents a subtle alliance of French traditions and innovative decorations from Italy. It has become an icon of the new art of building in the Loire Valley in the 16th century, and is today considered one of the jewels of early French Renaissance architecture. At the end of the 19th century, the castle passed through several owners before finally being purchased by the State in 1905. It is now managed and open to visitors by the Centre des monuments nationaux.

Further details coming soon!

Two Temple Place: The Weight of Being

The Weight of Being: Vulnerability, Resilience, and Mental Health in Art
Two Temple Place, London
24 January–19 April 2026

 

Curated by Angela Thomas, this new exhibition at Two Temple Place will explore artistic expression and mental health. Through depictions of deeply personal and collective experiences, it examines the powerful ways in which artists capture vulnerability, resilience, and their search for solace.

Including the work of a diverse range of twentieth century and contemporary artists and their varying perspectives, The Weight of Being will showcase how artists have captured the psychological and emotional impact of societal pressures, resilience in the face of adversity, and existential uncertainty. Four works from Karen Knorr’s series Belgravia (1979–1981) will be included in the exhibition.

Alongside dozens of artworks drawn from galleries and collections across the UK, the portraits, landscapes, and figurative studies of the lesser-known artist John Wilson McCracken (1936–1982) are woven throughout. Denied the opportunity to return to the Slade School of Art following a period of hospitalisation for mental health reasons, McCracken spent much of his career in Hartlepool, producing work that reflects a profound sensitivity to the emotional and social pressures of his time.